Dublin is proving to have many little hidden gems at the moment. When I played the Saucy Sundays sessions in January, I was blown away by the venue upstairs in the Grand Social. Wonderful place to play, and the audience were fantastic. I had a similar experience with the very intimate Matchbox Theatre, which is downstairs in Le Café des Irlandais on Georges St (where Café Bar Deli used to be).
This beautifully intimate café theatre hosts the 50 Cent Sessions every Wednesday at the moment, and is the perfect venue for this kind of an evening. Last wednesday I was playing a wee set there, and it was wonderful to get to hear such a variety of other acts.
I had the odd experience of following another pianist (it’s not often you run into piano-based songwriters at nights like this, for some reason. Lots of guitars, not so much piano), so we decided to share the same set-up, to save time and hassle on the night. So, I was playing an unfamiliar digital piano, which just felt all kinds of wrong. And I was sitting down. I realised that I’ve never actually done a solo gig sitting down at the piano. I seem to play standing up when I’m performing pretty much always. It really is more constricting to be sitting, and I ended up contorting and piano-bench humping and understanding just why someone like Tori Amos ends up writing around on the piano bench while performing. It’s not in me to sit still while playing.
Watch me being all awkward with a strange piano. But it was the night before Paddy’s Day, so I sang one of my Irish language songs.
Nevertheless, it renewed my love for my own gear, as I really do love the digital Roland I’ve had for the last 8 years or so. It’s heavy as hell, and a pain in the ass to move between gigs sometimes, especially since my case has now lost all handles and broken both wheels, but I really noticed the difference it makes when I was without it last Wednesday. Needless to say, next time I’ll forgo using someone else’s, even if it is less hassle, as I’m just more comfortable with something that feels closer to a real piano.
