Studio Days: week 4

I was back in the studio this week, finishing off all my piano and vocal tracking for the most part. Managed to get everything done that I had planned, and even have some extra time at the end of the session to knock out some bonus live takes in the studio. They actually turned out better than I expected, and I was listening back to everything last night. The only things missing in the ref tracks I was listening to were the extra backing vocals and one piano retake that I did on one song, but that’s not majorly important for me to get a sense of how the record is shaping up at the moment.

the lovely studio piano

Next up I have a drummer, bass player, and a cellist scheduled to come in, as well as some more vocalists, including my wonderful fund:it backing singers. It is at the point where I can see the end of the tracking in sight, and I’m busy planning the mixing and mastering stages. It’s a major change from a month ago when I was running the fund:it campaign, and unsure of whether it would be successful, and unsure of whether I would be able to afford to finish off the recording this year, let alone this summer.

the studio piano set up for a live takethe studio piano in a live set up


The engineer working away.the studio piano and the vocal mic, a portrait

Studio Days: next round of studio time booked

Confirmed my next few days back in Charthouse Studios now that my Fund:it campaign was successful. It’s a bit of a relief to know that I can afford to go back in and get back to work on the track that I’ve been recording. I got a bit distracted this past month by working on the funding campaign, and trying to get it off the ground and get the money raised that would facilitate going back into the studio.

Interestingly, I’ve already had a few chats with people I know about the campaign, how I ran it, and what tips or advice I would give people about how to run a successful crowdfunding campaign. It’s something I might come back to and post about when I get a full breakdown of the pledges, but for now I’m happy just to know that I crossed the line and that there is a base of support out there that are willing to help get involved even on a small scale to enable me to finish off the work I’ve been doing on this album.

The next round of days in the studio should finish off all my piano and vocal tracks, and then the following time will be dedicated to any other players or singers I’m bringing in on the tracks. I’ve a plan formed for the studio time, which I will probably adapt slightly as I go along, but I have tended to be overly prepared in advance of any time in the studio, as I know all too well just how costly it is, and how well you gotta manage your time when you’re working on a tight budget.

As it is, I can’t wait to get back at it. I’ve been really enjoying working in the studio, and I’m already making plans for what I want to do studio-wise after this project. But for now, the focus is on finishing the album and getting it out for people to hear.

More sneak preview clips.

video still / Screen shot
Here are some more sneak previews of the songs I’ve been recording for my debut album. There are clips of three songs in this track, and a bit of a piano thingie at the end that is actually a part of one of the songs.

Sneak previews 2 by misterebby

  1. Codail Sámh
  2. Galway Rain
  3. Is This What They Call Romance?

The Irish language title is a bilingual track, but it’s mostly english lyrics, and a little bit of Irish. I’m rather fond of vocal layers, as you’ll hear in two of these clips.

If you want to help me get the album finished, and get it out there for other people to listen to instead of it just playing around in my head, then consider pledging some money to my :fund:it campaign, which I’m using to crowdfund the rest of the recording.

Studio days: week 3 & Fundit Crowdfunding project.

Video still

The last two days of May were spent back up in Charthouse studios again, this time working on just three songs over the two days, as we were going to be hitting two of the more complex songs from a recording point of view. As it stands at the moment, I’ve worked on 10 songs in the studio. Two of them will need retracking, as they’re stuff I did on the very first day, and I’d not really gotten the hang of the studio just yet. The other 8 are at various stages – some just need a little bit of extra work and that’s all, and others are pretty good reference tracks that’ll need vocal retracking, and the rest fall somewhere in between. But I’m happy with the progress I’ve made so far.

I think I was overly prepared in many ways, as I have a fear of wasting time in the studio when I’m working on a tight budget, and I want to be as well rehearsed and prepared as possible going in each day. I plan out what songs I’m going to work on what days, and anything I’m unsure of musically gets plotted out on manuscript paper or using MuseScore so that I don’t get flustered or blocked in any way when I’m actually in the studio.

Video still

It was nice to hear things coming together that I’ve only done rough demos of, or hearing new vocal arrangements working out better than I imagined they would. I’ve been listening to the reference tracks here at home these last few days, and picking out what I want to do with each song, and looking at what I’m not happy with about each track so far, and trying to put together a plan for how to finish off the recording as efficiently as I can. I might dilly dally when I’m writing the music, but when it comes to the studio days, I try and be prepared and organised so that I don’t waste money or anyone’s time in the studio. I’m really liking working in the studio though – I’ve taken to it a lot easier than I thought I would, click tracks and all!

But, in between studio days, I’ve been meeting with a friend of mine who is a print artist, and we’ve been chatting and working out ideas for the visual side of the album which has been exciting, and I’ve been working on the crowdfunding project on :fund:it.

In short, the last bit of cash I’d put aside for the recording days was what funded those last day in the studio, so to help fund the rest of the studio time, mixing and mastering, and the initial batch of cds, I’m running a crowdfunding project through :Fund:it – Ireland’s version of Kickstarter and their ilk. Anyone from around the world can pledge money towards a project, and you’ll see a little slew of rewards available to you if you pledge money to help me finish off this album: :fund:it – mister ebby – wires.

Wires : Fundit promo video from mister ebby on Vimeo.

Mark Willis very kindly came over and shot the promo video I’m using on the :fund:it project, and Yvonne Ryan took a few shots that day for me to use too. Check out their work!

Mr Ebby by Yvonne Ryan

Studio Days: week 2

I was back in the studio a fortnight ago for a few days more, and really settled into the place. I’m quite happy with the work that has come about so far. Heading back in for another bit again from tomorrow and after that I should have made a good start on pretty much every song I wanted to cover for this record.

Here’s a sneaky preview of some of the work that’s been going on in the studio – though bear in mind that these are just clips of tracks in progress, and pretty much just piano and my vocals right now.

Some of the songs are coming together a little differently in the studio to how I’ve been performing them live, which is an interesting to see develop to be honest. I guess there’s just a very different energy when you’re connecting with people live, and when you’re really just playing to yourself in the studio.

1 2 3