Tag: piano

Live video demos

I’m currently going through a bunch of little live video demos of some of my songs that I have on my computer, and posting a few on my youtube channel for people to see.

They give another side to some of the songs that ended up on the album – though the ones that work best in demo form are the ones that ended up pretty much with just piano and voice on the record itself.

They’re pretty low res quality, as they’re just stuff that’s recorded with the webcam and a little home recording setup I use to get songs down when I’m working on them so I have something to reference again later. I’ve been using it again lately to demo some of the very new songs I’ve been working on.

I Wish You Were Here
It’s an old song that wasn’t meant to end up on the album, but did a take of it on the last day of the piano and vocal tracking, and liked how it came out, so it ended up on the record.

Wet Feet

I think this video shows just how lazy I can be at the piano sometimes. And also how much I move when I play – it’s something piano teachers always pointed out to me but that I never really noticed until watching back little clips like this. They really tried to get me to stop moving my upper body so much when I played, but it’s a habit I’ve never broken, and something I still do whenever I play. I just move a lot at the piano when I’m playing.

The version on the album is pretty pared down too – there’s some lovely cello on it that I miss now whenever I’m playing the song solo again. Same with this next video, actually:

Restless

I do plan to have some proper videos up on my youtube channel soon, along with these wonderfully webcam home demos too.

Listen or buy the album: [itunes] [amazon mp3] [bandcamp]

post-launch gigs roundup

Firstly, thanks so much to everyone who turned out on the wet, windy night in Galway last Wednesday, and everyone who showed up in Dublin on Thursday for the gig in the gorgeous, intimate venue upstairs in Twisted Pepper. It brought a smile to my face to see so many familiar and unfamiliar faces coming out to help celebrate the album getting out into the world.

Secondly, thank you to “The Meadhbhs” and “The Sullivans” for adding their voices to the shows. I named the two little groups after Meadhbh Sullivan, who provides most of the additional vocals on the album, but unfortunately wasn’t able to be a part of the launch gigs due to a show she is acting in this week in Cork. (It’s in The Granary in Cork all this week. Go see it.)

The Meadhbhs (Galway choir): Deirbhile Ni Bhrolchain, Elise Karlsson, Fionnuala Connolly, Kevin Brett.

The Sullivans (Dublin choir): Jo McNamarra, Dearbhla Kelly, Sally O’Dunlaigh.

That idea worked out pretty well. I had one rehearsal with each group before the show, and I’d emailed them the parts and the tracks they were singing, and I was just hoping that it would come together pretty easily. But it really did, and they added so much to the songs they were singing on.

The album got a little mention in The Ticket section of The Irish Times today, and yesterday on Jim Carroll’s “On The Record” blog too, which was rather lovely to see, to be honest. I nicked a copy of The Ticket from a café today after I spotted it.

Little mention in the Irish Times.

Stream my album, and buy it if you like.

The digital version of my album went out to my fundit funders yesterday, and about half of them have already downloaded it at this stage. But you can now stream the album on Bandcamp or Soundcloud, and if you like, you can buy it from Bandcamp. It will shortly be available through iTunes and other digital stores over time.

Bandcamp is my own preferred digital retailer, as quite honestly, I get to charge you less for the album, and I make more money directly as it’s not going through a middle man of any kind.

The CD itself has had another little setback – I’m starting to take it as a hint that CDs maybe aren’t the way forward. The designer’s computer had a hard drive failure yesterday, and I’m not sure if he’s been able to retrieve any of the work that has been lost. Here’s hoping that he can.

The Bliss Returns – live at Charlie Byrne’s

This is a video that was shot before I even found the studio that I ended up recording the album in. The morning of this shoot the camera assist, Yvonne Ryan, mentioned Charthouse Studios to me, and gave me the contact info of Ian McNulty, who ended up engineering and mixing the record. The band Yvonne is in, Ambience Affair, had recorded at that studio, and she knew that they had recently put a piano in.

The video was shot by Mark Willis of Bluestack Records, who also very kindly did my promo video for my fundit campaign, and my brother Phil Brett was taking care of the sound. The video was intended for a larger project the two guys had in mind, but I’m told there’s been problems with the external hard drive Mark had stored the footage on. I hope they didn’t lose all that work. Hard drive failures are annoying as hell, as I recently was reminded myself.

However, this one long shot take survives, and the guys put it together for me, for which I’m very grateful.

This song is on the album, in a more fleshed out version with drums, bass and cello, but in this video it’s just me and a piano in Charlie Byrne’s Bookshop in Galway.

Post-Jazz Festival review.

I had an absolute blast of a time at the Cork Jazz Festival. Definitely a weekend to spend in Cork – there was so much music everywhere. From buskers on the street, to free gigs in venues around town, to the ticketed gigs each day too. I spent the day times wandering the streets enjoying the food stalls and listening to some great jazz bands playing for free in the outdoor stage set up beside the Opera House. Found some great places for coffee, but none better than Cork Coffee Roasters, which also boasted the hottest barista I saw all weekend too as a special bonus.

Méadhbh was working every day over the weekend, which was a pity, but we got to hang out in the evenings instead. She was singing with me at the gig in the Legends Suite of the Festival club, and we got to the venue early to grab some food and a glass of wine before soundchecking. I don’t think I’ve met nicer people than the folk we had to deal with that evening – everyone from the Guinness contact to the sound guy to the waitress. Despite the fact that it was right in the middle of a weekend of long working days for them, everyone was warm, welcoming, friendly and professional. It made me feel completely relaxed and at ease before the gig.

The piano they had in the venue was a gorgeous Yamaha grand piano – between that and the Yamaha I recorded the album on in the studio, I think my opinion of Yamaha pianos has been completely changed this year. Gorgeous sound from both the upright and the grand piano, and those bass notes on the grand were an absolute thrill.

This is the only photo I have of the gig – which was taken just before we went soundchecking. I think Méadhbh has a few more though. But at least you can see the most important thing – how beautiful that piano looks:

This was our set list:

  • The Bliss Returns
  • Codail Sámh
  • Keep Me Here (new song. not on the album)
  • Romance
  • Phoenix
  • Comfort Of The Keys (non-album track)
  • The Score (Sarah Slean cover sharing lead vocals with Méadhbh)
  • Galway Rain
  • Strive (new song. Not on the album)
  • Glory Box / Wannabe (Portishead / Spice Girls cover. Méadhbh on lead vocals)
  • Helen

It was originally this:

I had a few others lined up that I skipped on the night, as we had just about an hour of a set, and I wanted to try out some of the newer songs as well as singing stuff off the record. “Wet Feet”, “Rerun” and non-album track “House On My Back Door” were all on the list too but got kicked off for time.

I’m back in Galway now, and back working on the last little things I need to sort to get a physical Cd into my hands, and then into your hands, and I’ll let you know how you can do that in a later update, but it will be available in some of the wonderful new indie record shops that have been popping up around the country.

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