Studio Days: mixing days

I realise I’ve not posted any photos of myself from the studio days, but then Charthouse Studios themselves posted some shots of me today. So, thank you Ian, for taking some photos of me pretending to play the piano. I’m sure it looks dead natural. These were actually from the last day that I was tracking piano and vocals for the record.

studio daysstudio days

I’m back in the studio next week for a final day to fix the little niggly things that aren’t quite right with the mixes just yet. The mixing days were long, but were really interesting to be honest. It brought so much clarity to what we had tracked, and really cleaned up the tracks so much by refining and shaping the songs to sound the way they should. We covered a lot of ground in a very short space of time, but really, it’s still a record being made on a very tight budget, so that’s to be expected. That said, I’m really pleased with how it has been turning out and I can’t wait until it is all finished and I’m able to share it with people. It definitely has been the best use of my summer possible.

Studio Days: week 5

Last week I had the pleasure of having two talented guys in playing on some tracks for my record. Aongus from Henrietta Game came in do some cello work, and Karl from The Young Folk was in on drums. It was a bit nerve-wracking for me initially, as it’s the first time I’ve had other people playing on my songs, aside from some friends singing with me or whatever.

I also don’t speak drums very well, and found it much harder to have a clear sense of what I wanted from the drummer. As opposed to the cellist, who I could deal with in terms of notes, pitches, and melodies, and felt way more at home with. Drumming is all about rhythms and textures or timbres – the different qualities of sounds used to create the rhythms and atmospheres. It really was a learning experience for me – the limit of my experience with drums was when I played with a rock band briefly in the UK as a session pianist, and then when Sweeney Lee had a drummer in her live band which I was the pianist for. It was always other people’s material, and never my own. But it was great to have the help of the engineer who was able to be a sort of translator between the two of us, and Karl brought some brilliant ideas and suggestions for songs I’d not even thought of having drums on.

When it came to the cello day, I had clear ideas of what I wanted him to play for some of the songs, and then just vague ideas of what I wanted and where I wanted them for other songs, so it was a mix of me quite explicitly telling Aongus what to plan and when, and giving him free rein to come up with a part for other sections. But even so, if there was something I liked better than another idea, or if he needed chord charts, that was all a musical language I was familiar with – notes, chords, keys – and I could express what I was looking for far easier.

Heading back in for the last few days of tracking tomorrow. There’s a bass player coming in, along with Meadhbh who is adding some beautiful vocals for me. The :fund:it backing singers are in too, to add their parts into the mix, and then we should be finished tracking the record at that stage. I’ll update after the next session, and I’ll definitely know where I stand at that point, but I can start to see the finished project coming together at the moment, and it’s quite exciting to see things taking shape.

Studio Days: week 4

I was back in the studio this week, finishing off all my piano and vocal tracking for the most part. Managed to get everything done that I had planned, and even have some extra time at the end of the session to knock out some bonus live takes in the studio. They actually turned out better than I expected, and I was listening back to everything last night. The only things missing in the ref tracks I was listening to were the extra backing vocals and one piano retake that I did on one song, but that’s not majorly important for me to get a sense of how the record is shaping up at the moment.

the lovely studio piano

Next up I have a drummer, bass player, and a cellist scheduled to come in, as well as some more vocalists, including my wonderful fund:it backing singers. It is at the point where I can see the end of the tracking in sight, and I’m busy planning the mixing and mastering stages. It’s a major change from a month ago when I was running the fund:it campaign, and unsure of whether it would be successful, and unsure of whether I would be able to afford to finish off the recording this year, let alone this summer.

the studio piano set up for a live takethe studio piano in a live set up


The engineer working away.the studio piano and the vocal mic, a portrait

Fund:it campaign – final day.

There’s just over 24 hours left on my fund:it campaign, and I’m just shy of 90% of the way to my target. More than 80 people have gotten involved so far and pledged various amounts of money from as low as €5 to any amount above that. It’s nerve wracking to be so close with such a short time left until my funding deadline. The deal with fund:it and similar crowdfunding sites, is that if you don’t reach your target, you don’t get any of the money at all. So, it’s kinda nail-biting at the moment.

The tickets were drawn for the competition for the film fleadh tickets, and two random pledgers to my campaign found themselves with a pair of tickets each for a movie at the Fleadh. That was a wonderful added bonus to be able to give as an extra reward along with the ones I have listed on the fund:it page.

This time tomorrow I’ll know whether the project is funded or not. I’m trying to not just sit at the computer clicking refresh to see if there are any more pledges – that temptation is there, but instead I’m playing piano, enjoying fresh strawberries and the sunny day, and finishing my knitting project.

Look! I knitted a whole thing!

I’ve been having trouble with my computer, and it needs to go in for repair, but between that and the funding campaign, I’ve been keeping myself calm and busy by getting back into knitting. I’m making a pair of wrist warmers since I lost my previous pair at some stage over the last few months. They’re kinda essential kit for me in the studio – keeping my hands warmed up between takes. The knitting project is kinda nicely mirroring the funding one, and I’ve one glove finished, and the other about three quarters done at this stage.

Look! I knitted a whole thing!

Wish me luck with the last day of my fund:it campaign, and please take a look at the link, and share it around, to help push me up that last 10% that I need to reach my target. I would really appreciate any pledge no matter how small, or any link that is posted to help spread the campaign out.

Link: mister ebby – wires :: fund:it

Photos from the last two months

Finally got around to looking at the few photos I’d shot on my phone since Xmas. I like a few of them, but not all.

Cork, visiting Meadhbh
Cork.. far too early am.

Cork.. far too early am.

Salthill sunsets again – I’m obsessed. The light is different every time.
Salthil sunset
Salthil sunset

Boo reading …
Boo reading

Boo reads Agatha Christie

Intended on having a shot of Boo reading all the books I’ve read, but I missed taking shots of Overqualified by Joey Comeau, Liquor by Poppy Z Brite and Written On The Body by Jeanette Winterson. The last two are two of my favourite books that I decided to re-read instead of tackling the rest of my “to read” pile that is sitting by my bed. I’ll get around to them.

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